a replacement life


After I read A REPLACEMENT LIFE, I was high off of it, telling everyone I knew who I deemed to have good taste that it was a must. I read some really fabulous books this summer—funny to be writing about them in December, I know—and luckily Boris Fishman’s debut was one of the first. I was trying to decide if there was some pathological explanation for why it took me nearly six months to jot down my thoughts, but that’s not important, what is important, is how amazing this book is. While that’s an embarrassing understatement, it’s the most succinct way I can express how I feel about this book. It’s definitely one of those hug-worthy books*. You know, the type that expresses nearly everything you’ve ever thought? A friend whose opinion I hold in high esteem recently dove into the tale and described it as “particular” and I couldn’t believe that in all of my internal musings, I hadn’t thought of that. She noted that each grammatical placement, each word choice, was so carefully situated, and to appreciate those subtleties, you have to be of the discerning kind. A REPLACEMENT LIFE is a novel for someone who appreciates the craft of writing, the texture and love of it. There are too many half-written and half-edited novels that are being churned out so constantly these days, and society just accepts that, which in effect, is applauding, mediocrity. So, to find one that sets itself apart, both stylistically and thematically, is a real treasure. Very rarely is there a symbiotic relationship between plot and prose that results in the reader getting exactly what they want. But alas, that is what you have with A REPLACEMENT LIFE.

*and saying that a book is “hug-worthy” is the biggest compliment I can give